The new Canva app for iPhone – is it worth the effort?

Canva-logo

 

The new Canva app for iPhone was released a few weeks back – so have you all tried it yet? Probably not -it’s only available on iOS at the moment. That shortcoming aside, it appears to have most of the same features that are available on the full-blown version.

It’s great in many ways – you log into your on account so you can access to everything that you’ve already made. It’s still the same kind of easy-to-use thing you expect from Canva, and it comes with a variety of preloaded formats, so you can choose the right size and go.

Like most app versions of a full desktop program, it has its shortcomings too. A biggie is that there’s not the full range of pre-formatted sizes (although it does include the most popular), and you can’t create a new canvas with your own custom dimensions. Another big thing is that I can’t use any of my own photos that I’ve uploaded to Canva before (although I can upload new ones from my phone’s camera, or search through Canva’s imagebank). And I also can’t layer up photos to create my own overlays, or even have more than one photo in a canvas. You can’t use any of the backgrounds either – so only text, elements, and layouts. The image on screen won’t shift when you tilt your phone sideways, so you can’t make it larger that way. You CAN zoom in with the two-finger spread though.

On the plus side, there’s an expanded range of preset filters (and some different ones too) that pop up when you tap on an image that you’re using. However, I couldn’t seem to change the intensity of the filter, or access advanced image settings (even though the option showed on my screen. But I’ve got an iPhone4 – maybe I just need a new phone?).

Lastly (on my phone at least), it appears a bit temperamental and it’s thrown me out twice without warning.

I don’t have a paid account, so there are some Canva For Work things I can’t test, but I do wonder about. Can I still create an image with a transparent background? What about the one-touch resizing to suit every occasion? Is any of the functionality that’s missing on the free version above, available on the paid version (especially being able to access your own uploads)? And I would imagine that you can’t use your own fonts either (because they’re all stored on your computer, aren’t they?).

So yep, not quite the full quid. Overall though, it’s a handy thing to have on the go if you need something quick for Instagram or Facebook, but I wouldn’t be relying on it for producing all your graphics.

 

I would LOVE to hear your experiences with it! Have you had any glitchy moments, or has it been smooth sailing? Do you use it as your image editor of choice on your phone? Or have you figured out some greats hacks and workarounds on its shortcomings? Let me know!

Julie x

How-to use the Adobe colour picker to choose a colour palette

adobe colour picker

Helloooo! Here’s a fresh video for you today – it’s one of my favourite colour-picking tools that I share with my clients. There are lots of colour picking programs around, but I like sharing the Adobe colour picker because it’s easy to use and has some useful features – you can extract colour from your favourite image, you can tweak sample points, and you can save your palettes. (You can also share your favourite palettes with the Adobe community, and you can also explore other people’s palettes too.)

 

Enjoy!
Julie x

 

Best 5 tips for branding: Part 1 – Graphic design essentials

5 best branding tips- graphic design essentials

 

YESSSSS a brand new series for you – and a short one so that you can get back to doing what you do best! Five posts on the five things I think are absolutely essential for branding your business, whether you’re selling a physical product or selling a service. Get these five things sorted, and you’ll be a very long way in front of your competitors. First one’s on Graphic Design Essentials.

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Basic graphic design mistakes are something I see ALL. THE. FREAKING. TIME.  And it’s really the main reason that made me want to get started in branding (soooo many ugly Etsy shops!). Because before your customers even get to your lovingly crafted words and inspect your lovingly crafted goods, that mess just stops them in their tracks. They’re too spoilt for choice, and something prettier’s only a click away.

I KNOW technology’s made it easy for us to DIY everything (yes, Google’s my friend too). But in this age of DIY everything in five minutes, there is a huge amount of excellent knowledge that’s lost in translation, with inevitably poor results. And bad-looking websites with terrible layouts and awkward graphics make me sad.
(OK, getting off my ranty high horse now.)

 

Now that I’ve said that, I would also like to say that these simple fixes are super duper easy. You don’t have be a graphic design guru to get these things right; heck, you don’t have to have any kind of design training – anyone can do them, with even the most basic of image editing programs.

 

ALIGNMENT.

Please. Make sure things are lined up. A header on the left and a thumbnail pic in the middle and a quote that’s kinda halfway across the page and random assortment of different sized pics doesn’t convey “free-spirited and creative” – it conveys “disorganised, messy, and unprofessional”. Yes. You’ve seen those websites too. And you’ve cringed a little bit, haven’t you.

Especially in graphics, if things are supposed to be centred (like your name in your website header), make sure they’re actually centred. Don’t do it by eye; use whatever snap tool or guide functionality you have in your image editing software. (And I know PicMonkey doesn’t have a guide, so I’ve made this handy free downloadable grid overlay here.)

Make sure that when you use images in a straight line, that they’re all the same size (i.e. if they’re in a column, make sure they’re all the same width; if they’re running horizontally across the page in a row, make sure they’re the same height).

Text needs to be aligned properly too. If you’re writing a document and you want to put in sub-headings, make sure they’re all aligned with each other – whether that’s left or centred doesn’t matter so much, as long as you’re consistent through the whole document.

When you’re working with a space that is going to present only a small amount of information (such as a website header, a business card, or a social media graphic like an ad for Facebook or a pin for Pinterest, make sure it’s all aligned together.

 

alignment tip for FB

 

 

HIERARCHY.

Make the important things stand out more. When it’s text, and you’ve created variety through size, colour, italics and bold, think about what your eye is drawn to the most, and use that for your most important headings. Newspapers are experts at creating hierarchy within text – check out how they arrange their articles for headline, subheading, author byline, and article text.

 

5 best branding tips1- graphic design-fonts

 

Also: “Show me where to click.” I love Seth Godin, and this little gem from him’s been stuck in my head for quite a while now. You can use contrast to create hierarchy too – if your brand colours are mostly black and white with a pop of red, DON’T fall for the next-to-useless ‘make your BUY buttons red’ rubbish; you need to make them contrast so that they stand out, so make those buttons bright blue or green or yellow, so they pop!

 

 

NEGATIVE SPACE.

Don’t try and jam everything into the smallest amount of space possible. I won’t know where to look. Too much choice = confusion and as I said before, there’s bound to be something prettier that’s just a click away.

Let things breathe. Surround them with enough space so that it’s easy to look at, and easy to read. Your products, your images, and yes, this goes for text too.

When you’re photographing your products, make sure it’s obvious what it is that you’re selling, and don’t crowd your shot with props. When you’re placing images on your website, ensure they’ve got a bit of blank space around them so that they’re easy to focus on without distraction. And break up a big slab of text with headings, and/or important snippets – solid slabs of text are for academics, not for your sales page, or for your “About” page.

 

5 best branding tips1- graphic design-text1

A BIG slab of solid text.
Boring, right!? Did you even read past the first line?

Let’s try it again –

5 best branding tips1- graphic design-text2

 

Now doesn’t that look a whole heap better? Think about it. You scanned the second article, didn’t you? And then you got intrigued by the fabulous house, and read a bit more. Ha! The text is absolutely no different; it’s all to do with layout.

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OK, go fix up your websites!! Go on, I’ll wait 🙂

(And come back here and tell me when you’re done, ‘k? I’d LOVE to have a look!)

See you next week with the next tip.
(Update: You can find all the tips here)

 

Julie x

Beautiful product photography for your online shop: styling & props

product photography dos and donts

Product Photography

When you buy things online, exactly what is it that compels you to press that “BUY” button? Especially when you can’t pick stuff up, turn it over in your hands, feel its weight, feel its texture? There are of course a number of reasons, but online, a big part of that ‘thing’ is the product’s IMAGES.

When you’re a maker, it should go without saying that your product image should be well lit with no harsh shadows; horizons and other alignment is straight, and there is ample space around the product so that the picture doesn’t look too cramped. There are tons of tutes out there on how to get all the technical stuff right; I’ve written about it over here, and I also particularly like this one from Jess over on Handmadeology, or this excellent one on the Etsy blog.

 

photography tips

easy peasy infinity ground

 

SO THIS IS IMPORTANT:
A good camera won’t instantly make you a brilliant photographer.

 

You’ve got to have a good understanding of what you’re doing and have a clear idea of the result you’re after in order to get consistent results from your camera. Conversely, even if you’re only working with your smartphone, you’re still capable of achieving some very good results.

 

THIS IS ALSO IMPORTANT:
Please don’t ever think that taking one snap and uploading it direct is a thing.

 

Before you get even close to uploading your pics to your shop, you need to figure out a few things about your image style.

Start by thinking about your business personality.

Consider what the lighting is like in those images. Is it strong and clear, soft and romantic, or somewhere in the middle? What’s the composition like – are they full and busy, or serene and uncluttered?

Most of the time, a lot of props and/or a complicated background are a bad idea. They confuse the image, and the viewer doesn’t know where to look. Also, if your style is modern and minimal, you’ll probably want to keep things simple on a plain background.

Always always always keep your business personality in mind as you go through the different aspects of product photography below.

Composition. The first thing to remember about your photograph is that it’s in a frame, and therefore it’s a composition (remember that word from high school art classes?). So, you need to think about how to purposefully compose your photo. As noted above, don’t make your item too large in the shot (it looks cramped and uncomfortable) or too small (it looks lost), and keep props to a minimum.

When you’re cropping, keep in mind your pictures don’t have to be the standard height to width ratio! You can crop them to square, or shorter or thinner – whatever suits your object. Cropping also allows you to easily get rid of extraneous detail at the edges (like the edge of the verandah, that lens cap you left on the bench…), as well as allowing you to rotate the image to straighten up slightly crooked horizons. (YES. Please make sure your horizons are straight!)

 

Props. The most important rule is always Less is More.

photography - whats for sale

Seriously, what’s for sale here?
(Hint: it’s the shirt. But you looked at everything else first, didn’t you?)

So what’s wrong? Let’s see…. Think about what draws your attention first – it’s the white teacup, because it contrasts with the busy florals. The pink bangle stands out for the same reason. And not only is the shirt is only partially shown,  but the background floral is just as busy as the pattern on the shirt, and therefore it just gets lost.

 

Now you’ve got that, we can move on 😉

Props can play a wonderfully supporting role in your image. You might need to hang your earrings from something, or you might want to spice up your simple block of handmade soap with some fresh herbs or a flower, or put your kids toys next to a floor rug.

Whatever you do and however you set up your shot, look through the camera lens critically and ask yourself, “Does this look too busy? Is it obvious what the thing for sale is?” If it’s too busy, keep on taking things out until you’ve got the absolute minimum props (…just like your mum told you about wearing jewellery when you were young, “Take one more thing off”).

The trick is to make everything in your photo look like you’ve thought about it.

When choosing props, always go back to how you described your brand personality to decide what mood you’d like to convey. If it’s bold and sassy, you might try adding a touch of black or red; if it’s super soft and feminine, you might try adding in some tiny flowers, and use pastel backgrounds.

 

Editing. In my experience, most images require editing of some description. I ALWAYS adjust contrast and brightness; the aim is to have bright, clear images where it’s easy to see colour and detail.

If low light is a problem for you, digital editing is great for adjusting brightness and contrast, and correcting colour. (However, nothing can fix a blurry photo, so use a tripod or stand for your camera if shake is a problem for you.)

You can also change the colour balance to get rid of colour casts (like when your pic looks too blue or orange), and use the rubber stamp tool to get rid of minor blemishes (such as that bit of fluff you didn’t notice when you were shooting!). I use Photoshop, but if you don’t have it, there are lots of free web-based photo-editing programs out there, such as PicMonkey or GIMP.

 

Adjusting lighting to suit your style. While I don’t encourage you to alter the colours of your images so that it misrepresents what you have for sale, you can still tweak things to suit your brand style.

For instance, if your style is warm and beachy, you might make your pictures a touch brighter than normal, and tweak the colour slightly to bring up the yellow and orange hues. If your style is mystical, you might want to make your photos slightly darker with higher contrast. Or, if your style is shabby chic and romantic, you might like to soften the contrast, and brighten the image.

Once you’ve figured out your image style, stick with it. As I said earlier, most importantly your images should be in focus, well lit, and not cramped. Tweaking your images should be just that – tweaking – and certainly nothing that’s going to misrepresent your product.

 

Mixing it up. OK, so now I’ve got you all clicking along happily, feeling comfortable and confident, it’s time to mix it up again by adding in a bit of variety.

NOTE: THIS IS NOT YOUR EVERYDAY-GARDEN-VARIETY VARIETY. 

This is purposeful variety that fits with your brand, and is designed to add the personal touch. Including real people in your photos can be a big help – for instance, if you sell beachwear, have a couple of shots of happy people wearing your creations at the beach. If you sell jewellery, have a couple of pieces displayed on the body. On your shop’s main page, a couple of people pics amongst 20 or so other product shots will not only demonstrate what these things look like on the body, but because people relate to people, will also add some friendliness/approachability to your shop.

Of course, not every product is suitable for this – you can’t wear graphic design, or furniture. You could however include images of people using your products… or not! Do some research and check out other shops in your niche and see how they style their pics. Which images do you like? Why? How can you extract elements of that and put your own spin on it?

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Improving your photography takes a little bit of knowledge, some good hard thinking, and practice practice practice – you’ll ONLY get better with the doing!

Whatever you do, I’d love to see some befores and afters!! If you’ve been around a while and would like to show off your pic from a couple of years back, and your (vastly improved) one from more recently, drop me a link.  If you’d like have a think about some of the points above this afternoon, do some planning, and have a go at it tomorrow, let me know how it went.  If you’re still feeling stuck and you can’t think of any other ways you might make them better, drop me a comment below with a link to your shop/website.

Wishing you snap-happy goodness,
Julie x

 

How do I choose the right font for my Brand (Part 2)

 

How to choose the right font for your brand part 2

 

Carrying on from Part 1 here, in which we looked at things to watch out for when choosing a font (like why you would pay for one when there’s so many for free), here we’re digging into the specifics of font shapes, and how/why they convey the feeling they do.

Let’s have a look at a couple of fonts in detail.

You know that serif fonts are the ones with little ‘feet’, and as a group, they generally convey ideas such as “classic” and “conservative”. But what if you have a business personality that is classic, AND dynamic? You want something with a bit more pizazz.

 

font - alegreya.regular

 

Alegreya is certainly classic. But there’s something a bit more interesting about it, right? Let’s look closer.

font - alegreya caps - details

 

All the corners are crisply finished; this gives us ideas of precision and attention to detail. Anything with diagonals is perceived as ‘active’,  and nearly all the serifs are not only finished diagonally, but are parallel. Strong uprights such in the “L” and “E” are evenly tapered, slightly thicker at the top, and the tail on the “Q” is generous. Altogether, the strong alignment, the crisp corners and smooth tapers convey ideas of well-organised, strong, and systematic, while the kicks on the serifs and the inclusion of diagonals conveys sharp innovation.

 

font - knorke - details

 

Knorke is also a serif font, and in many ways classic. HOWEVER, it’s a totally different kettle of fish to Alegreya. Knorke is trickier, more lively, and even a teensy bit subversive. Look closely, and you’ll see uneven serifs, wobbly tapers, unaligned strokes, and outlines aren’t smooth. It also has no crisp corners; it looks a bit stocky and a touch overweight, like Mundungus Fletcher. All adding to that feeling of being a little bit less predictable.

 

Add a bit of fun

Of course, if you want to be totally subversive, go all-out whacky with your font. If you just want to add a bit of humour, you might want to try something like these –

font - boingo

font - eskargot

Note that each of these fun fonts includes tightly wound curls – it’s a whimsical and lavish flourish that’s both generous and friendly. The roundness of Boingo, its curves in both serifs and uprights and the fact that it ignores the baseline (the imaginary horizontal line that all the letters sit on), all add to its loud, bouncy, upbeat nature. Great for if you’re selling kids toys.

Eskargot on the other hand, is a bit quieter. It sits well on its baseline, and its uprights are straighter (although not quite…). It’s still very definitely funky and upbeat, with uneven strokes, slightly off angles, and crooked lines making it look fresh and lively. You might want to try something similar if you’re selling unconventional jewellery, or even cute plants.

 

 

So, next time you’re agonising over “WHICH FONT?”, stop; zoom in, and take a much closer look. Look for angles/straightness, look for look for tapers/parallels, look for smoothness/unevenness – and think hard about how all that makes you feel.

 

One last word for today. Don’t use the fonts that came on your computer for any of your graphics (you know the ones I mean – Times New Roman, Arial, Verdana, and the like) – they’re about as interesting as a stale biscuit. And don’t EVER use Comic Sans. For anything. Because it’s ugly.

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Stay tuned! After a question from Jess on my Facebook page recently, next week we’ll be talking about how to pair fonts – for when you need more than one to say what you have to say. There are definitely techniques to this! 

If there’s something YOU’D like to see here, or any questions you’re curious about, drop a comment and ask me here, I’d love to help out.

See you next time, Julie x

 

Fonts : How do I match my font to my brand? (Part1)

how to choose fonts part 1

{photo by Kien Do, licensed under CC0}

 

You know there’s a squillion fonts out there. How do you choose? Just pick something you like?

 

Well sure you can!

 

However, it’s super important to keep in mind a number of things. Like, WHAT’S IT GOING TO BE USED FOR?

If you’re going to write a simple document for instance, there’s no need to get fancy. You can create hierarchy in text easily with a single typeface; just using all caps, italics, bold, and varying the size will be all that you need to do.

When it comes to branding however, you’ll need something a little bit fancier. Consider this too: if you don’t have a logo as such, you can absolutely use your biz name in a particular font as your logo (Myer does this; so do lots of other companies).

The first thing to consider is all the places you might be using that fancy font – business cards, shop banner, website, packaging, letterheads, … the list goes on. Now, some fonts are so fancy that they become difficult to read – so where and how it’s used has a big impact on what you should choose. When it comes to website headers or shop banners for instance, readability becomes less important. But if you’re including contact details or technical information… well, you want people to read that easily, don’t you?

 

So just where do you find good fonts? I’ve written about this before, but it’s worth repeating. So –

FREE FONTS

There are heaps of free fonts available from numerous sites. Here’s a few, but there’s plenty more – www.dafont.comwww.1001freefonts.comwww.fontsquirrel.comfontfabric.com.

There are a couple of things to watch out for if you’re getting a free font. The number one thing is to check the licensing conditions, as they vary from font to font and designer to designer.

Some fonts only come with a free licence if you’re using them for personal use (birthday party invites and the like) but won’t allow commercial usage (which is what you’ll be wanting if you’re using it for your business).

Also, watch out as some fonts are only offered as samples and don’t have the whole character set – very annoying, if not impractical. Look not only for missing letters, but also for punctuation, accented letters, fractions, etc. Some designers might forget characters because of inexperience, or because they’re simply slack, or even because they want to get them onto the free sites as an advertisement to get you to buy the full set.

If you want one of the free fonts spend some time filtering through and reading the licence conditions and get those with a commercial or open source licence if you want to use them in your branding.

You can also make your own font from your handwriting if you like. Try these sites such as www.myscriptfont.com or www.paintfont.com.

 

PAID FONTS

Like many things in life, you often get what you pay for. Because sites like dafont are free and anybody can upload, there’s a lot of bad stuff on there. (There’s good stuff as well, it’s just harder to find.)

When you buy a font from a designer, you’re not only supporting another artist, you’re generally making a leap in quality. There is a much wider array of styles to choose from, and you’ll most probably get a font family  – variations on the central font, which can be useful when creating a hierarchy in your text (headings, sub-headings, etc. And you’ll usually get all the characters). There are often also subtle differences in quality, like the kerning (space between each letter) and the size of various elements within each letter, which has a big impact on readability and making the font lovely to look at.

 

 

OK! Now down to the nitty gritty. How do you match your font to your biz?

Aesthetics

Of course, it’s all to do with aesthetics.

Firstly, be wary of following the latest trend – they may have a short life span and can quickly become dated-looking. That’s OK if you’re using them for short term things (e.g. ads), but you don’t really want to throw out those 500 business cards you just bought last month, now do you?

So beyond issues of readability and trendiness, it comes down to choosing something that you like that ALSO fits with your biz personality.

Briefly, there are several style groupings for fonts, including text fonts (those that are used for everyday writing, and are designed for maximum readability – e.g Arial, Times New Roman, Helvetica) and display fonts (these are the fancy ones for headings).

Display fonts

Big fat fonts with square ends are called slab fonts, and look masculine and modern. Script fonts are slanted and flowing like old-fashioned handwriting – they look elegant and timeless. Handwritten script fonts mimic modern handwriting, and are pretty casual. Condensed fonts (those that look tall and squished) are more tough and authoritative, and of course there are those super-fancy fonts that are a heap more expressive. For instance, curly and uneven convey whimsy; and there are those that refer to things we’re already familiar with like cowboy-style Western, starship-enterprisey space age, or fat 70s groovy.

There’s heaps to cover (including what not to do) and I’d like to do that justice without making this post overly lengthy, so I’ll go into more depth comparing different styles in next week’s post. But while you’re waiting, check out these great infographics I found on FastCoDesign – especially the section at the top identifying some of the different typefaces, and the “What’s it Saying” section –  (and yes they’re not perfect and they do come in for a bit of criticism in the comments, but they’re still a great introduction).

 

If you’ve got any burning questions on fonts, I’d love to hear them!
Besides a deeper analysis of styles next week, where I’ll also talk about how the little touches can make all the difference, I’m also planning a post on pairing font styles for your biz, so stay tuned for that too.

See you next week!
(update: You can find part 2 here – it gets into the stylistic details of each LETTER and how those angles, extensions and curls can all convey personality. Fun!)