Vanessa Gardner is a serial creative. Not content to just concentrate on one thing, she has at various times been a soap maker, graphic designer, jeweller, photographer and painter, as well as a surface designer. After trying lots of avenues in order to get her art on to other mediums, she then stumbled into Spoonflower. Describing her faceted life, she says “sometimes I feel like I am the medium and have inspirations flow through me if that makes any sense.”

hot pink indian damask

 

early sunrise

 

The artist/designer from south western Ontario has also completed training to teach English as a second language, and worked at a garden nursery! But she states the thing that keeps her going in one direction is to work with clients creating design and branding, as that puts restrictions on what she is doing – “it is for a client in the end and I like the satisfaction of making clients happy.”

 

cyan rain

 

Always a maker, Vanessa admits that when she was younger she “taught a christmas craft camp (sort of) out of my parents house when I was little to keep the kids I used to babysit occupied over the holidays.” She grew up being surrounded by art, having artists on both sides of my family. “My biggest inspiration is my great-great-great aunt Evelyn Beatrice Longman who was a famous sculptress, the first ever who was let into a prestigious school of design. I never met her obviously but I take great pride by proxy in being related to her. Her most famous work was the Spirit of Communication which stood atop the AT&T building for years – she also has exhibits in the Smithsonian.”  Now that’s an impressive pedigree!

 

amoeba paisley

 

hippie camouflage

 

But, Vanessa says, she finds inspiration anywhere and everywhere, including nature. All sorts of people who challenge her in some way, both other artists and non-artists alike,  are inspirational. With all these tangents and interests, it comes as no surprise that her surface design is likewise very varied, touching on many themes from classic motifs,  kitsch and neo-gothic to 70s retro. However, a quick look through her Spoonflower portfolio demonstrates she is particularly fond of bold, clear colours and patterns with a geometric basis.

 

Spirit of Communication – Evelyn Beatrice Longman

 

Vanessa’s cabinet of inspiration

 

And as for her working method? I would be amazed if it was any other way. “My creative space is my office, or more precisely my second bedroom in my apartment which is super messy and cluttered with all sorts of stuff. I wish I was an orderly type but I guess we cannot have everything.”
You can find more of Vanessa’s designs for pixeldust here on Spoonflower.
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I would like to thank Vanessa for sharing her words and images.
Image of the Spirit of Communication reproduced with permission.